In 2015 Luka Fisher and I began to create instax photos together as part of a broader dialogue that we were having around performance documentation, the early loss of our mothers, gender construction and modes of making. These early photos were presented in our zines Confession Box and A Bare Witness and as part of our film Dear Mother but have mostly remained in our private archive until now. Together with CashMachine, Fisher and I issued hand-printed instax reproductions of never-before-seen instax wide photos from our archive as collected in the INBOX portfolios volumes I-III.
There are editions of 50 of each box.
